Vertical Membranes make the evolution of my work wall-mountable, combinable, and infinitely expandable. Designed as a collector’s series, the reliefs can be combined into a growing matrix. Individually, they are precise artifacts; in a group, they form an intriguing wall structure. At just 10x10 cm, they are a compact format and easy to transport.
A human head appears partially opened, revealing a dense interior of cables, nodes, and branching structures. The figure stands upright, calm, almost ceremonial, as if the exposed system were no longer hidden but accepted.
The human body appears as a shell. Inside, a dense structure unfolds — blocks, corridors, systems.
The mind no longer contained by the skull. Cognition extends outward, branching into systems beyond the body.
A downward-cast figure integrated into a rigid, architectural frame. From the crown of the head, thick, ribbed conduits erupt like a cybernetic crest, fusing with the surrounding mechanical substrate.
A profile view of a head where the cranial shell fractures, revealing an intricate, mechanical substrate within. Below, an overgrowth of root-like cables wraps tightly around the neck and shoulder, anchoring the body to the base.
A relief entirely dominated by a vortex. Ribbed, industrial conduits and segmented, worm-like structures spiral inward toward a central vortex, completely replacing any biological anatomy.
A human hand extends downward, its palm split and peeled open like organic tissue. Within the rupture, a precise grid of micro-components and architectural blocks replaces the muscle and tendon.
Two human profiles face one another in extreme proximity, their expressions muted and still. Thick, ribbed cables and wire-like tendrils bridge the gap between them, piercing the skin and directly connecting their facial structures and cranial cavities.